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Many design agencies and arts organisations use a constant churn of skilled and productive long-term interns, sometimes comprising a third or more of the workforce, with only the more senior employees earning what would have been considered a decent income twenty years ago. Along with changes to the benefits system and the rise of workfare, this is one jaw of a pincer movement which has produced in a substantial layer of precarious young workers, sometimes called permalancers, carrotworkers or lifestyle hackers (GuyStanding).‘Proletarianised’ creative (and other) workers have responded by developing agile, collaborative and creative approaches not just to work, but to the necessities of life including accommodation, leisure and social support, relying more or less entirely on their own resources and networks.This is the other half of the ‘innovation’ story, and it’s where we should look to understand why creative workers may be particularly responsive to the utility of a model defined as ‘men and women coming together to meet their shared economic, social and cultural needs through a jointly owned and democratically controlled enterprise’ - the co-operative.
Read the full article at Bethnal Bling.
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